Category Teaching…

Concert Preview: Jaimeo Brown performs at Scullers Jazz

On Friday night the renowned drummer Jaimeo Brown will perform with his ensemble at Scullers Jazz Club in Boston. Brown’s award-winning Transcendence Project features guitarist/producer Chris Sholar and saxophonist Jaleel Shaw. Among the vanguard of today’s jazz musicians, Brown’s innovative blending of jazz, hip hop, samples of traditional African American music (including field recordings), and […]

Spring 2017 course preview

In the Spring 2017 semester I’ll be teaching courses in three different areas—popular music, jazz theory & performance, and ethnomusicology—all of which are open to all Northeastern students. In each I’ve planned a series of events and activities that will take us out of the classroom and into the city of Boston. If you’d like […]

To Rush Would Be A Crime: After Shirley Horn’s Riffs on Albert Murray

Last Tuesday I joined Greg Thomas, Clifford Thompson, and Robert O’Meally on a panel celebrating Albert Murray’s writing and scholarship at the National Jazz Museum in Harlem on the occasion of Murray’s 100th birthday. Given the depth of their personal and studied familiarities with Murray, I’ll admit to being both honored and a bit daunted by the […]

CFP: Special Issue on Improvisation and the Liberal Arts

Improvisation and the Liberal Arts Call for submissions Special issue of Critical Studies in Improvisation / Études critiques en improvisation Guest edited by Jason Robinson, Mark Lomanno, and Sandra Mathern Like improvisation, the liberal arts advance our understanding of how individuals and communities interact with and relate to one another and derive meaning from human […]

Science and Soul: Emergent Themes & the Improvising Classroom

In 2007 I left the NYC jazz scene to attend a PhD program in ethnomusicology at the University of Texas at Austin. One of the reasons I chose the program was for its reputation as one of the strongest programs in the country for incorporating anthropology and the social sciences into music research. As someone interested […]

Announcing…Sound Breaks – Symposium on Improvisation, Academics, & Social Advocacy

Part of the reason TRoS has seemed quieter this year is because of many, many hours spent with some long term planning that is finely coming to fruition. There are many to thank for their support and hard work thus far, and we’re all excited to publicly share the news about “Sound Breaks”… “Sound Breaks” will take […]

Spring 2015 course preview – Traditional Musics of World Cultures

The course I’ll be teaching in the Spring 2015 semester, “Traditional Musics of World Cultures,” will feature a survey of world cultures and how people preserve, celebrate, and alter their traditions through music. Knowledge of and participation in traditions create senses of belonging and can be crucial sites of identity formation. While some view tradition as immutable and […]

My Fall 2014 Courses at Swarthmore

This upcoming Fall I’ll be teaching two exciting, brand new courses at Swarthmore College. They’re open to all students on campus, as well as students at Bryn Mawr, Haverford, and some students at the University of Pennsylvania. (Swarthmore music majors or minors can receive credit in the Music Program for these programs with the completion of […]

Sense, Feeling, and the Rhythm of Study: A Conversation with Jean-Michel Pilc

[The following transcript is excerpted from a conversation with pianist Jean-Michel Pilc recorded on January 15, 2013, at the Kitano Hotel in New York City.] Mark Lomanno (for “The Rhythm of Study”): The blog is brand new, but the work is not. This is one place where I can include my academic writing, my teaching, […]

Biography…Arturo Sandoval (jazz.com)

An important part of the jazz.com site is its encyclopedia of jazz musicians. I wrote this entry for Arturo Sandoval in 2008 (the original post can be found here): In 1982, Dizzy Gillespie hatched a plan to introduce a young discovery of his, Cuban trumpeter Arturo Sandoval, to the world. When the two met at […]