Tag Archives: Reviews
Album review…Mara Rosenbloom Quartet, “Songs from the Ground” (Fresh Sound New Talent, 2013)
Pianist Mara Rosenbloom suffuses artistic vision into each musical gesture—each corner and crevice—of her recent release, Songs from the Ground. The album’s cover art shows her audience in simple and poignant terms the foundation for her music—roots. More specifically, the cover art shows the roots of an orchid, photographed by childhood friend and long-time collaborator […]
Album review…Nick Finzer, “Exposition” (Outside In, 2013)
Earlier this year, trombonist Nick Finzer released his debut album, Exposition, a compelling opening statement for the beginning of his recording career and an enticing introduction to the subsequent albums that will surely follow. Featuring a cohesive group of young musicians with strong individual skills, Exposition comes together around the strength of Finzer’s compositions and […]
Enunciating Power and Ex…Plosive Time: Cécile McLorin Salvant’s “Woman Child” and Silence Undone
Of all the countless, captivating moments I have heard and re-heard in WomanChild, there are two that struck me right away—on my first listen to the album—and that continue to surprise me each time I hear them. I haven’t been able to let these moments go—not for the three months prior to the album release […]
Album review…Bennett Paster, “Relentless Pursuit of the Beautiful” (Self-Produced, 2012)
In his latest recording, pianist and composer Bennett Paster presides over a diverse and highly enjoyable collection of engaging compositions that continually evolve and excite. Through well composed ensemble sections, solid group chemistry, and highly proficient individual performances, Paster constructs an album that sounds fresh, entertaining, and spontaneous. Relentless Pursuit of the Beautiful, self-produced, 2012. […]
Album review…Emilio Teubal, “Música Para Un Dragón Dormido” (Brooklyn Jazz Underground, 2013)
Named for the zodiac sign that he and his newborn child share, with his third album, Música Para Un Dragón Dormido (“Music for a Sleeping Dragon”), Emilio Teubal offers an evocative and personal vision for the fusion of Argentinean music and modern jazz. Supported by his long-time trio and some high-powered sidemen, Teubal’s album promises […]
Album review…Aaron Diehl, “The Bespoke Man’s Narrative” (Mack Avenue, 2013)
With a well-balanced album of inventive originals and faithfully executed standards, celebrated young pianist Aaron Diehl debuts with a solidly swinging album on Mack Avenue Records that will appeal to a wide range of listeners. Performed by a remarkably empathetic ensemble, the album champions a classic, historically informed approach to the jazz piano trio that […]
Album review…James Saxsmo Gates, “Gates Wide Open” (804 Jazz, 2013)
Drawing on a long local history of African American music in Richmond, Virginia, and his own history of family music-making and overcoming hardship, newly appointed head of Jazz Studies at Virginia State University James Gates presents Gates Wide Open, an energized and highly personal album ranging across genres and instrumentations, but held together by superior […]
Album review…Stéphane Kerecki, “Sound Architects” (Outnote Records, 2012)
In French bassist and composer Stéphane Kerecki’s latest album, Sound Architects, he presents a profound and unique artistic vision, realized through the leader’s well-crafted, imaginative compositions and enriched by a masterful ensemble whose individual virtuosities are out-matched only by their collective sensitivity, inventiveness, and dynamism. Compelling grooves emerge organically from the group’s improvisatory faculties, while […]
Album review…Antonio Sanchez, “New Life” (CamJazz, 2013)
With New Life drummer Antonio Sanchez confidently presents his artistic vision, characterized by eclectic influences creatively re-imagined through compositional skill and superior musicianship. The album teems with energy, drive, and diversity, executed by a first-rate band whose facility and individuality shine through thanks to the solid foundation of Sanchez’s malleable compositions and organic ensemble direction. New Life. […]
Track reviews…A Dizzy Gillespie Dozen (jazz.com)
Jazz.com ran a feature called “The Dozens” which highlighted twelve iconic, influential, or otherwise important tracks by a particular artist (described in more detail here). In 2008 I contributed one on Dizzy Gillespie. The tracks I reviewed were: 1. “Pickin’ the Cabbage,” with the Cab Calloway Orchestra (1940) 2. “Lover Come Back to Me,” with […]