September 17, 2024 Benjamin Barson

Album review…Obed Calvaire, “150 Million Gold Francs” (Ropeadope, 2024)

April 11, 2023January 29, 2024 Mark Lomanno

When it hurts to play

January 19, 2017January 28, 2024 Mark Lomanno

One More Once: Echoes of Past Futures and Inaugurating Redress in the New Term(s)

May 19, 2016January 28, 2024 Mark Lomanno

To Rush Would Be A Crime: After Shirley Horn’s Riffs on Albert Murray

February 1, 2016January 28, 2024 Mark Lomanno

Book review…Tsitsi Ella Jaji, “Africa in Stereo: Modernism, Music, and Pan-African Solidarity”

January 18, 2016January 28, 2024 Mark Lomanno

Book review…Oxford Series in Recorded Jazz

October 6, 2015January 28, 2024 Mark Lomanno

Review…’The Amazing Bud Powell’ by Guthrie Ramsey

March 1, 2015January 28, 2024 Mark Lomanno

Jazz in the Hollywood Machine: ‘Whiplash’, Insider Anxiety, and Riffing Violence

December 18, 2014January 28, 2024 Mark Lomanno

Methodological Potentiality and the Untranslatable: Sounding Difference in the Translating Riff. A Response to Helga Zambrano

March 15, 2014January 28, 2024 Mark Lomanno

A belated happy 1st birthday to TRoS & the best 2013 jazz albums I (haven’t yet) heard