August 20, 2015January 28, 2024 Mark Lomanno

Polyphonies of Art and Action: Samuel Torres Premieres “Forced Displacement”at Zinc Bar

March 1, 2015January 28, 2024 Mark Lomanno

Jazz in the Hollywood Machine: ‘Whiplash’, Insider Anxiety, and Riffing Violence

November 30, 2014January 28, 2024 Mark Lomanno

Nature Evolves toward the Beautiful: The Maria Schneider Orchestra at the Jazz Standard (November 28, 2014)

July 18, 2014January 28, 2024 Mark Lomanno

Listening with Sympathetic Eyes: Sara Serpa and Ran Blake Live at the Kitano (June 6, 2014)

March 15, 2014January 28, 2024 Mark Lomanno

A belated happy 1st birthday to TRoS & the best 2013 jazz albums I (haven’t yet) heard

March 10, 2014January 28, 2024 Mark Lomanno

Concert Review…Celebrating Cecil at the Painted Bride

October 13, 2013January 28, 2024 Mark Lomanno

Album review…Mara Rosenbloom Quartet, “Songs from the Ground” (Fresh Sound New Talent, 2013)

September 30, 2013January 28, 2024 Mark Lomanno

Album review…Nick Finzer, “Exposition” (Outside In, 2013)

September 27, 2013January 28, 2024 Mark Lomanno

Album review…Charles Lloyd Quartet, “Rabo de Nube” (ECM, 2008)

September 23, 2013January 28, 2024 Mark Lomanno

Enunciating Power and Ex…Plosive Time: Cécile McLorin Salvant’s “Woman Child” and Silence Undone